Artist
Of The Month
Digital Freedom |
||
Wednesday, July 23, 2008 Dear MPAA, Congratulations on your record setting weekend!!! Now, please stop trying to impose restrictions on consumers.Not only don’t MPAA’s own studies not back up their inflated piracy claims, but real world experience doesn’t either. Last weekend The Dark Knight opened to rapturous reviews and record-setting revenues – despite the fact that unauthorized copies of the movie were easily available online. Clearly the relationship between piracy, file sharing and box office receipts is not as linear as the movie industry claims. Put a different way, even in the internet age, if you make an excellent movie then people will come see it. Given last weekend’s unambiguous lesson, we hope the MPAA will drop its demands for the broadcast flag, analog hole legislation, selectable output control, and other unnecessary consumer limitations. But we’re not holding our breath. posted by Digital Freedom Campaign # 10:43 AM 0 Comments Do not adjust your television. The MPAA is controlling transmission. Posted by Jef Pearlman, Staff Attorney for Public Knowledge, a Digital Freedom PartnerIf you’ve never seen the intro (original/new) to the TV show “The Outer Limits” then perhaps now is the time. Be sure to have the sound up: There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission…Perhaps if the intro was written today, it would say, “There is nothing wrong with your television set. But do not attempt to view our movies. The MPAA is controlling transmission.” As Jon Law wrote on our blog last month, the Motion Picture Association of America (MPAA) has asked the FCC to let it selectively turn off different types of connectors in viewers’ homes. This technology, called “Selectable Output Control,” lets the creators and distributors of video pick and choose which video connectors will display their content — and which will not. The MPAA claims that in order to move release dates for Video-on-Demand (VoD) earlier than they are now (and before DVDs) they need this added control over your home electronics. Yesterday, we, along with CFA, DFC, EFF, MAP, NAF, and U.S. PIRG submitted Comments to the FCC opposing the MPAA’s petition. We have three basic problems with it: Consumers Will Be Harmed In The (Non-)Displaying of this Film. Consumers expect that when they spend a lot of money on high definition television equipment, DVRs, Slingboxes, and home theater setups, they will be able to display all high definition content for the foreseeable future. They don’t expect that when movie companies choose to change their release dates, their setups will suddenly stop working. The MPAA was pretty vague about what would happen to those people who rely on analog/component connections for high definition video. In the best case scenario, they simply will not have the option to order the movies as their neighbors — neighbors who have the same cable service and same hardware but just use different cables. At worst, they will order a high definition movie, only to find that the display is blank. If the MPAA gets their way, at minimum 11 million people will be cut off from these services. But no big deal, right? I mean, the others are getting stuff sooner! Move Along, Nothing to See Here In its petition (and, indeed, anywhere), MPAA failed to provide any evidence that this kind of control was needed to prevent copyright infringement. We’ve learned from iTunes and Amazon that if you offer content legally, conveniently, and in an unrestricted way, people will buy it rather than pirate it. Disney CEO Robert Iger said it himself: “The best way to combat piracy is to bring content to market on a well-timed, well-priced basis.” So why do they need this control? Read on… The MPAA Is Controlling Transmission. And Reception. And Use. The MPAA’s petition asks not only for the ability to turn off analog or unprotected digital connections. It asks for the ability to turn of any connection on a per-work basis. But why would they want to turn off other connections? Check out Sony’s release of Hancock on its (otherwise cool) Bravia Internet service for a peek into a possible future. Sony is releasing Hancock to users of its Internet service before it goes out on DVD or VoD. However, only owners of a compatible Sony television will be able to use that box, because the movie will only go out of the box over the proprietary Sony “DMeX” connection. What would happen if the MPAA decided to turn off all connections except for a proprietary MPAA one for new release movies? What if it then used its ability to license that connector as leverage? What kind of rules could it set for what your television could or could not do? Do you think you’d be able to use that connection with cool devices like a Slingbox? I don’t usually consider myself part of the tinfoil hat crowd, but I do know that I don’t want media companies dictating what type of connections my television has and what I can do with the content I have legally acquired. Consumer electronics companies should be free to innovate and make their decisions based on what reasonable consumers want and what makes technological sense — not based on what the upstream content owners demand. But with Selectable Output Control in hand, the MPAA might be able to put a stop to that. We’ll let you know what happens as this proceeding moves forward. For more information, check out our press release or read the filing itself. Labels: EFF, FCC, MPAA, Public Knowledge, Slingbox posted by Digital Freedom Campaign # 7:23 AM 0 Comments Tuesday, July 22, 2008 "Fair Use? Who Cares?" Remember Universal's controversial takedown notice of a YouTube video from last year featuring a baby dancing to Prince's "Let's Go Crazy"? When the takedown notice was challenged, Universal didn't argue with the assertion that the video was a "fair use" of Prince's song , and the video went back online. The Electronic Frontier Foundation, a Digital Freedom Campaign Partner, is representing the victim and is asking a District Judge to exercise a clause in the DMCA which allows victims of meritless takedown notices to seek damages and award the victim attorneys' fees and other monetary damages. Universal is arguing that DMCA takedown notices can ignore Fair Use, as detailed in a great WIRED article from last Thursday (A major label looking to ignore Fair Use? You don't say!). The judge has not indicated when he would rule, but did say that this case was a "very important issue of statutory interpretation." We couldn't agree more...posted by Digital Freedom Campaign # 8:56 AM 0 Comments Friday, July 18, 2008 Mark Hosler of Negativland on BreakThru Radio Check out BreakThru Radio’s interview with Mark Hosler of Negativland, aka the father’s of mashup. Mark discusses the evolution of the mashup, Negativland and the Digital Freedom Campaign. Thanks to BreakThru Radio for their continued support of the Digital Freedom Campaign.Labels: BreakThru Radio, Mashup, Negativland posted by Digital Freedom Campaign # 12:28 PM 0 Comments Monday, July 14, 2008 Code of Best Practices in Fair Use for Online Video The Center for Social Media at American University recently released a great guide to current acceptable practices for use of online video, titled "Code of Best Practices in Fair Use for Online Video." A distinguished panel of experts, including members of the Digital Freedom Campaign's academic advisory board, came together to form this guide. It is a great resource for those using video content for any number of purposes to answer important questions about how to use copyrighted video appropriately. We could go on and on about how useful a guide like this is in attempting to define fair use and its limits, but would rather encourage you to read the document for yourself and see what you think. Our sincere thanks go out to the Center for Social Media and the panel of experts who contributed to the study for their efforts!posted by Digital Freedom Campaign # 5:43 AM 0 Comments Monday, July 7, 2008 The Proof Is In - DRM-Free MP3s Driving Music Sales At the Digital Freedom Campaign we do our best not to say 'I told you so' - wait, who are we kidding? We love it! And here's another chance for us to say it - the major labels have long insisted that DRM protection of digital content was necessary to prevent piracy, but they finally began offering DRM-Free MP3's last year, after massive consumer outrage over the restrictions that DRM put on their lawfully purchased content. Now WebUser is beginning to report the results of this experiment, and just as we predicted, making MP3's available DRM-Free is having a seriously significant positive affect on sales of at least one company, 7Digital. The proof is in - it turns out consumers really are willing to pay for content that they can use when they want, where they want, and how they want.posted by Digital Freedom Campaign # 7:09 AM 0 Comments Monday, June 30, 2008 Associated Press Declares War on Bloggers, Fair Use By Mehan Jayasuriya of Public Knowledge, a Digital Freedom PartnerI’ve been plying my trade as a blogger for quite a while—okay, well, “quite a while” in blog years, anyway. During that time, I’ve learned that the old guard print journalists and their scrappy web counterparts don’t always see eye-to-eye on matters of citation and attribution. On the web, the mantra has always been “share and share alike”: most bloggers generally quote and cite each other freely, returning the favor in the form of a link. This works because the Internet economy runs on page views, which are equally coveted by advertisers, writers and business folks alike. Unfortunately, some content producers with roots in the print world, most notably the large wire services, have failed to understand this unspoken code of conduct. I know that I’m not the only one who has worked for a web publication that received a stern letter from the likes of Reuters or Bloomberg, which essentially said “don’t cite, quote or link to our content”. Sure, this proved to be an inconvenience at times—sometimes the major wire services had exclusive stories that no one else had—but to avoid a legal squabble, the easiest thing to do was to simply stop linking to and quoting from the offended party. After all, if these services want to shoot themselves in the foot, why not simply let them? Here’s why: because rights holders, including the major wire services, do not get to decide what is and isn’t fair use under the law. As you probably know, the reason I’m bringing this up now is because of the Associated Press’ (AP) decision last week to go after parody news site Drudge Retort for linking to and printing short quotes from AP articles. Unlike some of the other wire services, the AP graciously allows bloggers and other Internet journalists to quote their articles—for a price. That’s right, if you want to quote an AP article in your blog post, you’ll be paying by the word for the privilege. What’s more, in order to purchase a license to quote AP content, you’ll have to agree to a Terms of Use agreement, which states, among other things, that you may not criticize either the AP or the author of the article in your post or article. If you do, the AP reserves the right to revoke the license granted. The problem with the AP’s licensing structure is that it ignores existing fair use rights, which clearly state that a short quotation from any news story is fair game. “Sure, the AP has a copyright in its articles and can prohibit blogs from reposting those articles,” Greg Beck over at Public Citizen writes. “But the AP has no right to impose a tax on brief quotations from AP news stories for the purpose of referencing, discussing, or criticizing those stories and their authors. The right to quote a reasonable amount from a news story for purposes of commentary or criticism is guaranteed by the right of fair use in the Copyright Act, and by the First Amendment.” Luckily, the blogosphere isn’t taking this one sitting down. Michael “one of the most famous people on the Internet” Arrington over at TechCrunch issued a call to arms, which resulted in an almost instantaneous boycott of AP stories on the web. In response, the AP announced that it would “rethink its policies toward bloggers.” While that's nice and all, there really isn't much here to think about. As Greg Beck points out, the AP still seems to be operating under the assumption that “it has the right to decide how much of its stories bloggers can use.” Fair Use rights apply to all news stories, with or without the AP’s blessing--end of story. For better or for worse, that doesn’t seem to be a concept that the AP is willing to understand. So, here’s something they should understand: an invoice. Blogger Michelle Malkin decided to calculate, using the AP’s licensing structure, how much the AP owes her for quotations it has used from her blog posts in recent months (it’s also worth noting that the AP did not link to her blog in the articles where these quotes were used). By Malkin’s count, the AP owes her somewhere in the neighborhood of $132,125. “And there are a few other bloggers quoted recently by AP who should consider sending joke bills, too,” Malkin writes. Is there any chance that the AP will start paying bloggers? For the answer to that question, I’ll refer you to the image above. Thanks to gapingvoid for the dinosaur cartoon and to our own Alex Curtis, who pointed me in its direction. Labels: copyright, fair use, Public Knowledge posted by Digital Freedom Campaign # 2:46 PM 0 Comments |
||
Take Action |
|
Send your name to the Campaign’s petition. The more names we gather, the more... Learn More |
Connect
These social networks are great way to become friends with Digital Freedom!
![]() |
Digital technologies allow everyone the freedom to be artists, innovators, producers and creators, and to listen, watch, and participate wherever, whenever and however they choose. That freedom must be protected and nurtured. |








